"If You Want to Know Who We Are"
THE COMPANY
P.O. Box 2152; Middletown, CT  06457
Robert Cummiing, Artistic Director
David Henderson
Denise Shultzman
Kathleen Thompson
William Ziegler

Allan Church, President
Constance Unsworth, Vice President
Dawn Corn, Rec. Secretary
Annlee Sortland, Corr. Secretary
Philip Feraci
Janet Loucks, Treasurer
Leighton Phraner
John Paine
Pearce Beskin, Pres. Emeritus

     From our Program:  
"CG&SS is dedicated to the preservation and enjoyment of the rich heritage of satire and melody that emerged
from the unique partnership of William Gilbert and Arthur Sullivan."


    The Connecticut Gilbert and Sullivan Society (CG&SS) has been happily ensconsed in Middletown, CT for 25 years.  In that time, we have morphed from a society which held monthly meetings, and produced one show a year, to a community theatre, which does not meet monthly, but produces an annual performance of professional quality. Our membership is varied, and changeable. There are members who have been associated with the company for years, and there are some for whom the world of G&S is brand new. There are also some performers in the group who have been onstage many times, and others who work tirelessly backstage, and "behind the scenes." The group is tied together by two loves. One is of the light operas of Gilbert and Sullivan, and the other is the cameraderie and bond one forms with people who are all working towards a common goal:  an excellent G&S production.

"There is a change in store; be prepared!" - Pinafore

 New rules on memberships (now $50) to be overseen by the committee
(Don Chamberlin, Richard Bengtson, Phil Faraci (& Rose), Connie Unsworth, Leighton Phraner,
Allan Church and Bob Cumming  (a "pretty committee!" - Ruddigore);
Performers and Directors may purchase two at the student rate ($15) otherwise full price. 
Comps to orchestra remain the same for Fri. and Sat. shows only. 
Sponsor donation categories will no longer offer tix as an incentive.


For Our Latest Cast List (for "Patience") Click Here

                  
"SUCH AN OPPORTUNITY MAY NOT OCCUR AGAIN"
WHENEVER POSSIBLE, CHECK HERE FOR AUDITIONS
FOR OTHER G & S COMPANIES,
OR PERFORMANCES BY OUR OWN MEMBERS:



HERE'S AN INTERESTING "HIT" WE GOT ON THE WEBSITE:

I'm the current Lord High Substitute (vice president) of Brown University Gilbert and Sullivan, in which capacity I am charged with Contacting Other Groups In The Area and conveying the following ideas, officially:
1) We will also be doing Patience on November 21, 22, and 23 (gag show on the 23rd) in Alumnae Hall on the Brown campus.
[Note Bene:  Obviously, it's too late for that performance, but they have other stuff coming up]
2) We will be holding a sing-in in April, and we are polling to find out if there are any dates in that month that would be particularly inconvenient for any members of your group who might want to attend (because of, for example, a conflicting G&S event elsewhere).
3) We will be attempting to make a group trip to see your production of Patience this fall
(assuming that we can get away from our own Patience rehearsals for long enough...)
[Note Bene:  They DID come see us, at our Tech Night Rehearsal, I beleve!
4) Reasonably up-to-date information can usually be found at our website, www.brown.edu/Students/BUGS.
Ringing cheer, Malka Key - Lord High Substitute


As director of publicity I wished to both extend our cordial invitations to a fellow theatrical group to the show, (you can reserve tickets online @
http://www.brown.edu/Students/BUGS/productions/2008-patience/index.htm) as well as to ask whether you would be interested in purchasing an Ad in our program.  Our shows typically attract an audience of well over 400 people, many of whom are die hard G&S fans.
We charge approximately $30 for a quarter page, $60 for a half page, and $120 for a full page.
If you are interested in publicizing your group with us, please send us your ad in some format
(JPEG probably works best) together with what size you would like to purchase.

thank you very much,
Alastair Trueger
Co-Pirate King


**PLEASE SEND ME INFO ON YOUR THEATRICAL/MUSICAL ENDEAVORS, AND I SHALL GLADLY POST THEM HERE!**


"IF YOU'LL GIVE ME YOUR ATTENTION"

        Why is it that G&S shows always seem to be about the "Battle of the Sexes?"  Maybe it's because that's always been such an important part of life, and Gilbert and Sullivan had an extraordinary talent for pointing out natural attractions between men and women ... and also the natural irritants and misunderstandings that always seem to go along with them! Case in point: our  show this year,  PATIENCE,  deals not only with the ridiculousness of a fad gone haywire (in this case, the"Aesthetic Movement"), but also the very different views about love that the characters espouse. Idealism? Hero-worship?  Unselfishness?  Jealousy?  Adoration?  Hey, we've got it all,  plus beautiful music and hilarious dialogue! AND, we've got the performers to prove it.

HERE ARE JUST A FEW, STARTING WITH A GROUP OF LOVELY LADIES:

Kathleen Thompson - She's been a leading-lady extraordinaire for a long time, and is doing a lovely job with the title role of "Patience."  Her first show with CG&SS was in the chorus of The Mikado, and her first leading role was - guess what! - "Yum-Yum" in The Mikado.  She also recently sang the soprano lead in The Golden Legend, an oratorio by Sullivan, and a number of scenes and solos from various other operettas (there are some by composers other than G&S!), such as The Desert Song and Naughty Marietta. She feels that G&S relates well to our time, because the satire is timeless, and human nature really doesn't change.  Her favorite G&S roles are: "Josephine" in HMS Pinafore, because of the different levels of character, and "Yum-Yum," because she got more of a chance to interact with the ensemble.  Her favorite G&S show is ("Yay!) Ruddigore, because of it's variety of characters, and it's melodramatic style.  She lives in Hebron, but I suspect her second home may well be Middletown!

Lisa Williamson - Lisa is an excellent singer, with a terrific stage presence.  This is her first show with CG&SS, and she has jumped in enthusiastically to understudy "Patience," and to sing in the chorus.  She's also proving herself adept at filling in for other roles during rehearsals, if need be.  (This bodes well for her to continue with CG&SS ... I hope!) This being her first G&S show, and a show she finds pretty funny, it's also her favorite (for now)!  She says that "like most stage mediums, it highlights everyday emotions that all people experience."  She sings for the Coast Guard Academy (among other things!) and lives in Colchester, with her husband, Adam.

Carol Connolly - A real favorite in this company, Carol continues to bring her beautiful voice and very funny acting skills to our production - all the way from New Haven!  Once again (!), she's playing a rather ... formidable ... woman - with a heart of gold: "Lady Jane," the contralto lead in Patience
(note her line about "a wealth of love, stored up in this rugged old bosom of mine").   She says "it all started," sitting on her front stoop, singing to the passersby, and, since she got bullied into auditioning for "The Sound of Music" by her 15-year-old, it hasn't stopped!  She loves the satirical handling of "current events" in the G&S shows, and finds much of it relevant to the bumbling and/or corrupt politics, and artificial conventions of art in our times.  Here's another CG&SS member who names Ruddigore as their favorite G&S show - because of the surprises in the plot, and the gorgeous music.  Plus, the portraits come to life - and how can you beat that?

Caroline Ismail - Caroline is doing double duty in our show this year.  In addition to playing a suporting lead ("Lady Ella"), she is also understudying "Lady Jane."  She is a very welcome addition to the company, and brings some serious opera experience, plus an engaging personality to the group.  Her favorite opera is Werther, by Massenet ("the raw emotion of the text is so beautifully set to music"), in which she has played "Charlotte."  On the G&S side, she has done "Kate" in The Pirates of Penzance.  She feels that "the irreverent mocking of the upper classes is always in vogue and appreciated."  Sounds like she's right in sync with Gilbert's point of view!
Caroline lives in Waterbury with her husband, Refik, and son, Benjamin.

Katherine Yeager - Our "Lady Angela" recently moved to Middletown, bringing with her an impressive background in musical theatre and opera.  She has directed The Mikado, has played "Polly Peachum" in The Threepenny Opera (Weill), "Anne Egerman" in A Little Night Music (Sondheim), and appeared in Aida, Cosi Fan Tutte, The Merry Widow, Carmen, and The Magic Flute, to name a few.  She likens G&S to "a musical Jon Stewart" - funny guys who make fun of current events.  Her favorite G&S show is The Pirates of Penzance ... because, she says: "I likes pirates - Arrrggg!" (Katherine, you would have been perfect for "Talk Like a Pirate Day!")

AND NOW, FOR SOMETHING COMPLETELY DIFFERENT:  SOME OF OUR MALE LEADING PLAYERS:

Allan Church - Allan is not only the obect of all the ladies' affections (in Act I) - the poet "Bunthorne" in our production - but also the president of the board of directors.     This is his 17th year with CG&SS, and he has also performed with the E. Lyme Arts Center, UConn School for the Arts, and Simsbury Light Opera Co.   He lives in Meriden, with wife, Lois, a long time member of the chorus, and daughters, Apart from the show we're doing right now, his favorite G&S show is Iolanthe, and his favorite Shakespeare is Richard III.  His feelings about the relevancy of G&S go thus: "Satire is an essential element of a free and democratic society, musical satire even more.  Modern society needs satire desperately, as there continue to be stuffed shirts who need tormenting."  I don't think Gilbert could have said it better!

Don Shirer - Don is doing fantastic work as understudy for "Bunthorne," AND men's chorus, AND the part of "Bunthorne's Solicitor."  He lives in Westbrook, with wife, Karen, and has 3 boys, with families in Chicago and Arizona. Patience is his 6th G&S show - the 4th with CG&SS.  He has performed in "only" 60 musicals and plays, and has produced 4 musical comedies.  Don sees the show as satirizing any unmindful following of fads, in this case, the 19th century Aesthetic Movement.    He also likens the rival poets as rock stars, or flower children of their day.  He names his favorite show as Guys and Dolls.

Jeffrey Soun Long - Jeff is brand new to the company ... and to performing in musical theatre ... but you wouldn't know it, to hear him sing, or see his professional attitude in rehearsal!  He plays the part of the "Duke," which is really like playing two parts in one, as he has to do all the chorus work, too.  He attends the Academy of Performing Arts in Hartford, as an acting major, and appeared in a high school production of Footloose.  He finds modern parallels in our show with trying to find the "right person" for each of us, and the follies of seeking after money and position.  He doesn't really know very many shows, but he saw our production of Iolanthe, and does want to return to the company.

Cameron Phillips - Cameron is also new to the company, and is understudying "The Duke."  He lives with his family in Fairfield, and is the eldest of five!   He has played "The Artful Dodger" in Oliver ( can totally see him in that part, with that twinkle in his eye!), and has also worked with the Cabaret Children's Co. in Bridgeport.  Whe asked if he thought G&S was still relevant to our time, his answer was: "No, but they're so much better than most things people come up with now." I think that's a very fair and courageous thing to say, especially from someone who is so new to the "genre."

Bill Ziegler - Bill has been a staunch, and hard working member of the company for a number of years now.  He's playing the part of the "Colonel," and is also on the board of directors.  He's another one who basically has two parts in one;  he  also has to do all the chorus work (except for his first grand entrance - but I won't ruin that for you!).     His opinion as to whether G&S is relevant to our times is also very honest, and thought-provoking.  He says: "This is not something I think about or care much about. If one finds a deeply relevant message, great.  Otherwise, just enjoy the fun!"  Pirates was his first G&S show, and thus, his favorite, but he says he had the most fun singing in the Act I Finale of Iolanthe.

AND HERE ARE A FEW MORE OF OUR STARS:

Tom Speer - This years marks Tom's second with our company - traveling all the way from Madison.  Last year, he was in the men's chorus for Iolanthe, and this year, as well as doing chorus work, he's stepping up to understudy the "Colonel."  He's one of several who are learning two parts, as they're performing in the chorus, and learning a lead role.  We can be very grateful to him for all his efforts - and he sounds good, too!  He feels that G&S related to our time in that it mocks the "upper class," and agrees with other cast members that they portray human experiences.  As a performer, he appreciates the challenges of learning and performing, and sees how "the music amplifies these endeavors."

Renee Molnar-Haines - Our "Lady Saphir" this year,  Renee has done a number of lead roles - both soprano and mezzo soprano, such as "Yum-Yum" (soprano) for Thomaston Opera House, and "Pitti-Sing" (mezzo) for CG&SS - both from The Mikado.  She has also appeared in other musicals, such as Carousel and Barnum, and has played supporting roles, and leads, with CG&SS.  When asked which was her favorite show, she - quite properly - said, "which is more beautiful, a rose or a lily?"  Her work last year, in the title role of Iolanthe, was stellar, especially in the reunion scene which she shared with Allan Church (in which they both had tears in their eyes!).  The closing scene of The Yeomen of the Guard remains her most intense theatrical experience.  She also had this to say:  "
I think we should all take the advice of what the great Gilbert and Sullivan have conveyed through their many masterful works of art.  Life has moments of great joy, sorrow, seriousness, and humor. G&S has taught us to embrace them all with boldness and fervor! This holds true for the current day."

Phil Feraci
- Phil, along with daughter, Rhoze, and wife, Julia, has been a member of our company for 7 years, and is also a Board Member.  Although his onstage experience has been exclusive to this group (so far!), he has stepped up to understudy the "Major," and is doing a fine job!  He can't decide which is his favorite show, because, as he says, "they all have their peculiar charm." He also says, "they all show the human condition with all its foibles, pretensions, and capacity for self-delusion, as well as occasional flashes of courage, integrity, and self-effacement."  He sounds like a budding "Savoyard," and shows real committment to the company.  And his voice and participation help enormously.

Dave Henderson - Dave returns to CG&SS for his second year, playing the leading role of "Grosvenor," and as a Board Member.  He was our "Strephon" last year's roduction of Iolanthe, and has played many roles in musical theatre, in high school, college, and community theatre.  His favorite show is either the one he's in at the moment, or Fiddler on the Roof (rather a good show to have as a perennial favorite!).  He concedes that over time, some of the targets of satire change, but adds that: "G&S's humor makes us ask ourselves 'What ought to change?' and  'Why do we behave the way we do?' " and what current trends might be substituted for the Aesthetic Movement that is "so aptly pilloried in the show?"

Valerie Jacobsen - Valerie, who hails from Old Saybrook, is another ensemble member who has stepped up to understudy a lead role: "Lady Angela," and she's been a great help!  She's been in Pirates, Gondoliers, and Sorcerer with CG&SS.   She loves all the shows, but says her favorite is Gondoliers, because she "enjoyed the Italian flavor" of it.  (I particularly like that description, because I've used that same idea to convey the beauty of a song - and it was from The Gondoliers!)  Valerie also seems to be in agreement with Caroline Ismail, in her appreciation of the theme of "the 'upper class' taking themselves [sic] too seriously, and looking down on 'commoners' as inferior."

Hal Chernoff - Hal did a great job for the company last year, sharing the role of "Pvt. Willis" in Iolanthe.  This year he plays the role of "Maj. Murgatroyd" in Patience.   Does he have some sort of affinity with military roles?  He's a strong, supportive member of our ensemble, and I suspect that he may have been bitten by the "G&S bug."  He also performs with the Simsbury Light Opera Co., and I bet we see him a lot more in the future!

Denise Shultzman - Denise is another very dedicated ensemble member, who has also stepped up to understudy the role of "Lady Ella."  Understudying is so important to all of us, as we really rely on each other during both rehearsals and performances.  She knows the G&S style and repertoire so well, and that really helps, in both her chorus work and her understudying.  She enjoys performing in other musical theatre as well, and has done various character parts,  but I notice she keeps coming back to G&S!